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During a tour of Canada in 1959, the blue-grey silk-organza evening gown worn by The Queen to a dinner at Government House, Nova Scotia, featured pink เสื้อทีม คนอ้วน and white embroidery of sprigs of blossom. Designed by Sir Hardy Amies, the simple fitted bodice and full pleated skirt belies the diplomatic message conveyed by the dress, the sprigs of blossom represent mayflowers, the regional emblem of Nova Scotia. As an official residence, Windsor Castle is regularly used for ceremonial and State occasions. In 2014, The Queen hosted a State Visit from the President of Ireland and for the State Banquet held in his honour Her Majesty wore a glittering evening dress of white silk satin and lace embroidered with crystals. Designed in 2011, the striking gown was first worn for the official Diamond Jubilee portrait by John Swannell, released in 2012 to mark the 60th anniversary of Her Majestys accession to the throne. The Queen spends many weekends at Windsor Castle and takes up official residence for a month during Easter Court, and a week each June when she attends the service of the Order of the Garter and Royal Ascot. St Georges Chapel within the Castle Precincts is the spiritual home of The Most Noble Order of the Garter, the oldest order of chivalry in the world. The Queen, as Princess Elizabeth, was made a Lady of the Order of the Garter in 1947 and upon her accession to the throne became the Sovereign of the Order. Her Majesty's mantle, fashioned from click this link now dark blue silk velvet lined with white silk taffeta, features a metal and enamel badge of the cross of St.
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An unambiguous ruling offering a simple solution to Italy's electoral tangle could open the way for an early ballot by June. A more nuanced, convoluted reading would almost certainly leave parliament in place until the legislature ends in early 2018. The constitutional court is expected to announce its verdict later on Tuesday or on Wednesday, opening the way for a likely overhaul of the contested law, known as the Italicum, which was ราคา เสื้อทีม สีขาว introduced by former prime minister Matteo Renzi in 2015. The law only relates to the lower house of parliament. It envisaged a ballot staged over two rounds that guaranteed a big majority to the winning party while granting party bosses wide powers to handpick their preferred candidates. Renzi said the Italicum would bring political stability to Italy, but critics complained that it concentrated too much power in the hands of the winning party and did not allow voters to directly choose their representatives. "If the court intervenes to change the electoral law, removing the second round and essentially leaving a proportional system in place, then the likelihood of an election this year is very high," said Anna Ascani, a lawmaker close to Renzi. "But there's no consensus in parliament on what kind of electoral law to write should the court only make suggestions to change the current law," she told Reuters, saying such a scenario would make a snap vote in 2017 highly unlikely. Renzi resigned last month after a crushing defeat in a referendum on his plans to overhaul the constitution, but he remains leader of the ruling Democratic Party (PD) and is pushing for elections to allow him to return to power. NEW ELECTION The constitutional reform was based on eliminating the upper house Senate as a directly elected chamber and when Renzi drew up his electoral reform he only had the lower chamber in mind, confident that voters would back him in the referendum. His defeat means that different laws now govern elections in the two houses, so whatever the court rules this week the conflicting systems will have to be harmonized by parliament.
Whereas there is much diversity in method and medium, as well as content and concept in these exhibitions, all of the artists engage our senses, our sensibilities and our minds in the pursuit of understanding the human condition. There is much here to be seen, felt and understood, both on a deeply personal level and on the scale of universal truths. We hope that these exhibitions will cause you to pause and contemplate the artists vision and that your experience with these works of art will enhance your life in a positive way. The South Gallery, viewable from the buildings storefront on Euclid Avenue, features Susan Squires From There to Here, showcasing her geometric abstractions created by painting with encaustic wax. As the title suggests, Susan Squires process of making the pictures is a journey of discovery, Thurmer says. Her production method is a happy alignment of her physical and mental practice as she develops her images through meditative layering of color, texture, and other meaningful elements such as pages from books, while oil stick and bees wax engender musings full of feeling, mood, and an intuitive interpretation of her subject. Meanwhile, Miriam Norris Omuras Ghosts and Strangers features the artists dyed Tensel weavings, which utilize the artists personal history as a starting point for her exploration of how memories are layered in our mind, and the abstraction of our past. Elaborating on Omuras exhibition, Thurmer says, In Ghosts and Strangers, Omura adapts a weaving dying re-weaving technique pioneered by Hildur Asgeirsdottir Jonsson who she studied with while living in Cleveland. Using personal, historic photographs as a starting point, she explores her family history and what gets lost in translation. As each image is transformed in the process of re-weaving, a new, perhaps more personal, interior aspect of the subject is allowed to reveal itself. The Media Room hosts a special screening of local independent filmmaker Robert Banks latest project, Paper Shadows. Using our citys contemporary urban landscape as its setting, Paper Shadows explores issues of race, class, gender, exploitation and the often distorted images of these subjects across the mass media of contemporary culture. Using both old-fashioned and state-of-the art filmmaking techniques, Robert Banks creates a moody and insightful testament to unseen and largely unacknowledged aspects of life in Cleveland in the second decade of the 21st Century, says Thurmer. With a gripping original score and the emotional power of Black and White photography, Banks drives home the frustration and alienation of the contemporary urban landscape. Lastly, the North Gallery hosts Riparazioni, an installation by Anne Kmiek of hand-embroidered christening gowns juxtaposed by other symbolic, handcrafted items paying homage to 11 historic women who made significant contributions to society and the Church.
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